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supported by 83 fans who also own “Hino Ataru Basyo Ni Kiteyo”
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too.
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supported by 37 fans who also own “Hino Ataru Basyo Ni Kiteyo”
Each track has its own importance to life. A lyrical genius with a rhythm that only makes the message more present and real.
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no place that feels like
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Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow.
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The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play.
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Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record.
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Let's Walk on the Path of a Blue Cat
by Parannoul
supported by 35 fans who also own “Hino Ataru Basyo Ni Kiteyo”
this album takes more of a math rock/post rock direction that the albums that would come after it and I love the vibe it creates
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